ch ch ch changes

There are a ton of composers who make a lot of changes to their pieces once they hear them. Fortunately, I'm not one of them and I don't usually have a lot of new things to do to a piece once I hear it. The types of changes I tend to make are more cosmetic (accents here and there, changing a breath from an eighth rest to a quarter rest, different dynamic, etc.) so going through Color Madrigals hasn't been too laborious despite the fact that it clocks in at over 40 pages.

Next it's off to Kinko's to make a full book of the score to send to directors around the country. It will be the first release of my publishing imprint so we'll see what happens...